BEST PICTURE
Argo
Beasts of the Southern Wild
Django Unchained
Les Misérables
Life of Pi
Lincoln
The Master
Moonrise Kingdom
Silver Linings Playbook
Zero Dark Thirty
BEST ACTOR
Bradley Cooper – “Silver Linings Playbook”
Daniel Day-Lewis – “Lincoln”
John Hawkes – “The Sessions”
Hugh Jackman – “Les Misérables”
Joaquin Phoenix – “The Master”
Denzel Washington – “Flight”
BEST ACTRESS
Jessica Chastain – “Zero Dark Thirty”
Marion Cotillard – “Rust and Bone”
Jennifer Lawrence – “Silver Linings Playbook”
Emmanuelle Riva – “Amour”
Quvenzhané Wallis – “Beasts of the Southern Wild”
Naomi Watts – “The Impossible”
BEST SUPPORTING ACTOR
Alan Arkin – “Argo”
Javier Bardem – “Skyfall”
Robert De Niro – “Silver Linings Playbook”
Philip Seymour Hoffman – “The Master”
Tommy Lee Jones – “Lincoln”
Matthew McConaughey – “Magic Mike”
BEST SUPPORTING ACTRESS
Amy Adams – “The Master”
Judi Dench – “Skyfall”
Ann Dowd – “Compliance”
Sally Field – “Lincoln”
Anne Hathaway – “Les Misérables”
Helen Hunt – “The Sessions”
BEST YOUNG ACTOR/ACTRESS
Elle Fanning – “Ginger & Rosa”
Kara Hayward – “Moonrise Kingdom”
Tom Holland – “The Impossible”
Logan Lerman – “The Perks of Being a Wallflower”
Suraj Sharma – “Life of Pi”
Quvenzhané Wallis – “Beasts of the Southern Wild”
BEST ACTING ENSEMBLE
Argo
The Best Exotic Marigold Hotel
Les Misérables
Lincoln
Moonrise Kingdom
Silver Linings Playbook
BEST DIRECTOR
Ben Affleck – “Argo”
Kathryn Bigelow – “Zero Dark Thirty”
Tom Hooper – “Les Misérables”
Ang Lee – “Life of Pi”
David O. Russell – “Silver Linings Playbook”
Steven Spielberg – “Lincoln”
BEST ORIGINAL SCREENPLAY
Quentin Tarantino – “Django Unchained”
John Gatins – “Flight”
Rian Johnson – “Looper”
Paul Thomas Anderson – “The Master”
Wes Anderson & Roman Coppola – “Moonrise Kingdom”
Mark Boal – “Zero Dark Thirty”
BEST ADAPTED SCREENPLAY
Chris Terrio – “Argo”
David Magee – “Life of Pi”
Tony Kushner – “Lincoln”
Stephen Chbosky – “The Perks of Being a Wallflower”
David O. Russell – “Silver Linings Playbook”
BEST CINEMATOGRAPHY
“Les Misérables” – Danny Cohen
“Life of Pi” – Claudio Miranda
“Lincoln” – Janusz Kaminski
“The Master” – Mihai Malaimare Jr.
“Skyfall” – Roger Deakins
BEST ART DIRECTION
“Anna Karenina” – Sarah Greenwood/Production Designer; Katie Spencer/Set Decorator
“The Hobbit” – Dan Hennah/Production Designer; Ra Vincent & Simon Bright/Set Decorators
“Les Misérables” – Eve Stewart/Production Designer; Anna Lynch-Robinson/Set Decorator
“Life of Pi” – David Gropman/Production Designer; Anna Pinnock/Set Decorator
“Lincoln” – Rick Carter/Production Designer; Jim Erickson/Set Decorator
BEST EDITING
“Argo” – William Goldenberg
“Les Misérables” – Melanie Ann Oliver and Chris Dickens
“Life of Pi” – Tim Squyres
“Lincoln” – Michael Kahn
“Zero Dark Thirty” – William Goldenberg and Dylan Tichenor
BEST COSTUME DESIGN
“Anna Karenina” – Jacqueline Durran
“Cloud Atlas” – Kym Barrett and Pierre-Yves Gayraud
“The Hobbit” – Bob Buck, Ann Maskrey and Richard Taylor
“Les Misérables” – Paco Delgado
“Lincoln” – Joanna Johnston
BEST MAKEUP
Cloud Atlas
The Hobbit
Les Misérables
Lincoln
BEST VISUAL EFFECTS
The Avengers
Cloud Atlas
The Dark Knight Rises
The Hobbit
Life of Pi
BEST ANIMATED FEATURE
Brave
Frankenweenie
Madagascar 3
ParaNorman
Rise of the Guardians
Wreck-It Ralph
BEST ACTION MOVIE
The Avengers
The Dark Knight Rises
Looper
Skyfall
BEST ACTOR IN AN ACTION MOVIE
Christian Bale – “The Dark Knight Rises”
Daniel Craig – “Skyfall”
Robert Downey Jr. – “The Avengers”
Joseph Gordon-Levitt – “Looper”
Jake Gyllenhaal – “End of Watch”
BEST ACTRESS IN AN ACTION MOVIE
Emily Blunt – “Looper”
Gina Carano – “Haywire”
Judi Dench – “Skyfall”
Anne Hathaway – “The Dark Knight Rises”
Jennifer Lawrence – “The Hunger Games”
BEST COMEDY
Bernie
Silver Linings Playbook
Ted
This Is 40
21 Jump Street
BEST ACTOR IN A COMEDY
Jack Black – “Bernie”
Bradley Cooper – “Silver Linings Playbook”
Paul Rudd – “This Is 40”
Channing Tatum – “21 Jump Street”
Mark Wahlberg – “Ted”
BEST ACTRESS IN A COMEDY
Mila Kunis – “Ted”
Jennifer Lawrence – “Silver Linings Playbook”
Shirley MacLaine – “Bernie”
Leslie Mann – “This Is 40”
Rebel Wilson – “Pitch Perfect”
BEST SCI-FI/HORROR MOVIE
The Cabin in the Woods
Looper
Prometheus
BEST FOREIGN LANGUAGE FILM
Amour
The Intouchables
A Royal Affair
Rust and Bone
BEST DOCUMENTARY FEATURE
Bully
The Central Park Five
The Imposter
The Queen of Versailles
Searching for Sugar Man
West of Memphis
BEST SONG
“For You” – performed by Keith Urban/written by Monty Powell & Keith Urban – Act of Valor
“Learn Me Right” – performed by Birdy with Mumford & Sons/written by Mumford & Sons – Brave
“Skyfall” – performed by Adele/written by Adele Adkins & Paul Epworth – Skyfall
“Still Alive” – performed by Paul Williams/written by Paul Williams – Paul Williams Still Alive
“Suddenly” – performed by Hugh Jackman/written by Claude-Michel Schonberg & Alain Boublil & Herbert Kretzmer – Les Misérables
BEST SCORE
“Argo” – Alexandre Desplat
“Life of Pi” – Mychael Danna
“Lincoln” – John Williams
“The Master” – Jonny Greenwood
“Moonrise Kingdom” – Alexandre Desplat
Filed under: Awards
Well, this is a very significant barometer for Oscar prognostications, moreson than the various critics awards, methinks. Hence, it looks like LINCOLN vs. LES MISERABLES for the big prize with 13 nods to 11 respectively. Sure ZERO is there strongly, but Spielberg and Hooper’s film seem to have strong audience appeal. LINCOLN would seem to hold the edge.
Well, you can’t ignore that many of LINCOLN and LES MIS’s nominations come in tech categories like art direction, costumes, and so on. Movies set in the fairly distant past like these two movies tend to have an edge in terms of perceived “production values,” which would give them an edge over something like ZERO DARK THIRTY or SILVER LININGS PLAYBOOK.
I certainly can agree with what you say there Paul, and though LINCOLN and LIFE OF PI are among my favorites this year, I would name THE TURIN HORSE, WAR WITCH, OSLO AUGUST 17TH, THE DEEP BLUE SEA, THE KID WITH A BIKE, HOLY MOTORS, THE CENTRAL PARK FIVE and A ROYAL WEDDING as among the year’s best films to this point, with AMOUR, TABU, LES MIS and ZERO DARK THIRTY to be seen over the next 12 days.
Yes the perceived ‘production values’ argument is a sound one as applied here.
It’s one reason I’ve been thinking Lincoln is the favorite since I saw it, it’s depth across so many different categories. That doesn’t mean its better, but these awards are never really about the best film.
I still think Les Miz is going to make a lot of nominations noise, but its divisiveness is going to quell its chances for winning a lot.
I’ve been thinking ZDT also will suffer somewhat from the previous wins for The Hurt Locker. The Academy does seem to like to spread the wealth a bit, which arguably should also work against Les Miz but work for SLP and Argo. And I say that knowing that the Gurus and whatever are now downgrading SLP and Argo out of the Top 3.
This whole Oscar race thing is such a weird game.
That’s the strongest argument against ZDT Joel that I’ve heard and I’m not buying it entirely, but maybe because I can’t get past the feeling that it is so clearly better than the other movies that are likely to get nominated (not yet having seen Django).
I won’t be surprised if I’m wrong, but it just seems like one of those Osar “rules” which are meant to be broken.