HOLLYWOOD FOREIGN PRESS ASSOCIATION 2013 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2012
1. BEST MOTION PICTURE – DRAMA
a. ARGO Warner Bros. Pictures, GK Films, Smokehouse Pictures; Warner Bros. Pictures
b. DJANGO UNCHAINED The Weinstein Company, Columbia Pictures; The Weinstein Company/Sony Pictures Releasing
c. LIFE OF PI Fox 2000 Pictures; Twentieth Century Fox
d. LINCOLN DreamWorks Pictures, Twentieth Century Fox; Touchstone Pictures
e. ZERO DARK THIRTY Columbia Pictures and Annapurna Pictures; Sony Pictures Releasing
2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
a. JESSICA CHASTAIN ZERO DARK THIRTY
b. MARION COTILLARD RUST AND BONE
c. HELEN MIRREN HITCHCOCK
d. NAOMI WATTS THE IMPOSSIBLE
e. RACHEL WEISZ THE DEEP BLUE SEA
3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
a. DANIEL DAY-LEWIS LINCOLN
b. RICHARD GERE ARBITRAGE
c. JOHN HAWKES THE SESSIONS
d. JOAQUIN PHOENIX THE MASTER
e. DENZEL WASHINGTON FLIGHT
4. BEST MOTION PICTURE – COMEDY OR MUSICAL
a. THE BEST EXOTIC MARIGOLD HOTEL – Blueprint Pictures/Participant Media; Fox Searchlight Pictures
b. LES MISERABLES – Universal Pictures, A Working Title Films/Cameron Mackintosh Productions; Universal Pictures
c. MOONRISE KINGDOM – Indian Paintbrush; Focus Features
d. SALMON FISHING IN THE YEMEN – CBS Films; CBS Films
e. SILVER LININGS PLAYBOOK – The Weinstein Company; The Weinstein Company
5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
a. EMILY BLUNT SALMON FISHING IN THE YEMEN
b. JUDI DENCH THE BEST EXOTIC MARIGOLD HOTEL
c. JENNIFER LAWRENCE SILVER LININGS PLAYBOOK
d. MAGGIE SMITH QUARTET
e. MERYL STREEP HOPE SPRINGS
6. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
a. JACK BLACK BERNIE
b. BRADLEY COOPER SILVER LININGS PLAYBOOK
c. HUGH JACKMAN LES MISERABLES
d. EWAN MCGREGOR SALMON FISHING IN THE YEMEN
e. BILL MURRAY HYDE PARK ON HUDSON
7. BEST ANIMATED FEATURE FILM
a. BRAVE Walt Disney Pictures, Pixar Animation Studios; Walt Disney Pictures
b. FRANKENWEENIE Walt Disney Pictures; Walt Disney Pictures
c. HOTEL TRANSYLVANIA Columbia Pictures / Sony Pictures Animation; Sony Pictures Releasing
d. RISE OF THE GUARDIANS DreamWorks Animation LLC; Paramount Pictures
e. WRECK-IT RALPH Walt Disney Pictures, Walt Disney Animation Studios; Walt Disney Pictures
8. BEST FOREIGN LANGUAGE FILM
a. AMOUR (AUSTRIA) Les Films Du Losange, X Filme Creative Pool, Wega Film; Sony Pictures Classics
b. A ROYAL AFFAIR (DENMARK) (En kongelig affære) Zentropa Entertainment; Magnolia Pictures
c. THE INTOUCHABLES (FRANCE) (Les Intouchables) The Weinsten Company, Quad Productions, Gaumont, TF1 Films Production, Ten Films, Chaocorp; The Weinstein Company
d. KON-TIKI (NORWAY/UK/DENMARK) Nordisk Film Production, Recorded Picture Company
e. RUST AND BONE (FRANCE) (De rouille et d’os)
9. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
a. AMY ADAMS THE MASTER
b. SALLY FIELD LINCOLN
c. ANNE HATHAWAY LES MISERABLES
d. HELEN HUNT THE SESSIONS
e. NICOLE KIDMAN THE PAPERBOY
10. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
a. ALAN ARKIN ARGO
b. LEONARDO DICAPRIO DJANGO UNCHAINED
c. PHILIP SEYMOUR HOFFMAN THE MASTER
d. TOMMY LEE JONES LINCOLN
e. CHRISTOPH WALTZ DJANGO UNCHAINED
11. BEST DIRECTOR – MOTION PICTURE
a. BEN AFFLECK ARGO
b. KATHRYN BIGELOW ZERO DARK THIRTY
c. ANG LEE LIFE OF PI
d. STEVEN SPIELBERG LINCOLN
e. QUENTIN TARANTINO DJANGO UNCHAINED
12. BEST SCREENPLAY – MOTION PICTURE
a. MARK BOAL ZERO DARK THIRTY
b. TONY KUSHNER LINCOLN
c. DAVID O. RUSSELL SILVER LININGS PLAYBOOK
d. QUENTIN TARANTINO DJANGO UNCHAINED
e. CHRIS TERRIO ARGO
13. BEST ORIGINAL SCORE – MOTION PICTURE
a. MYCHAEL DANNA LIFE OF PI
b. ALEXANDRE DESPLAT ARGO
c. DARIO MARIANELLI ANNA KARENINA
d. TOM TYKWER, CLOUD ATLAS JOHNNY KLIMEK, REINHOLD HEIL
e. JOHN WILLIAMS LINCOLN
14. BEST ORIGINAL SONG – MOTION PICTURE
a. ?FOR YOU? — ACT OF VALOR Music by: Monty Powell, Keith Urban Lyrics by: Monty Powell, Keith Urban
b. ?NOT RUNNING ANYMORE? — STAND UP GUYS Music by: Jon Bon Jovi Lyrics by: Jon Bon Jovi
c. ?SAFE & SOUND? — THE HUNGER GAMES Music by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett Lyrics by: Taylor Swift, John Paul White, Joy Williams, T Bone Burnett
d. ?SKYFALL? — SKYFALL Music by: Adele, Paul Epworth Lyrics by: Adele, Paul Epworth
e. ?SUDDENLY? — LES MISERABLES Music by: Claude-Michel Schonberg Lyrics by: Alain Boublil, Claude-Michel Schonberg
15. BEST TELEVISION SERIES – DRAMA
a. BREAKING BAD AMC Sony Pictures Television
b. BOARDWALK EMPIRE HBO Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions in association with HBO Entertainment
c. DOWNTON ABBEY: SEASON 2 PBS A Carnival / Masterpiece Co-Production
d. HOMELAND SHOWTIME SHOWTIME, Teakwood Lane Productions, Cherry Pie Productions, Keshet, Fox 21
e. THE NEWSROOM HBO HBO Entertainment
16. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
a. CONNIE BRITTON NASHVILLE
b. GLENN CLOSE DAMAGES
c. CLAIRE DANES HOMELAND
d. MICHELLE DOCKERY DOWNTON ABBEY: SEASON 2
e. JULIANNA MARGULIES THE GOOD WIFE
17. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
a. STEVE BUSCEMI BOARDWALK EMPIRE
b. BRYAN CRANSTON BREAKING BAD
c. JEFF DANIELS THE NEWSROOM
d. JON HAMM MAD MEN
e. DAMIAN LEWIS HOMELAND
18. BEST TELEVISION SERIES – COMEDY OR MUSICAL
a. THE BIG BANG THEORY CBS Chuck Lorre Productions, Inc. in association with Warner Bros. Television
b. EPISODES SHOWTIME SHOWTIME, Hat Trick Productions, Crane Klarik Productions
c. GIRLS HBO Apatow Productions and I am Jenni Konner Productions in association with HBO Entertainment
d. MODERN FAMILY ABC Levitan-Lloyd Productions in association with Twentieth Century Fox Television
e. SMASH NBC Universal Television in association with DreamWorks Television
19. BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
a. ZOOEY DESCHANEL NEW GIRL
b. JULIA LOUIS-DREYFUS VEEP
c. LENA DUNHAM GIRLS
d. TINA FEY 30 ROCK
e. AMY POEHLER PARKS AND RECREATION
20. BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
a. ALEC BALDWIN 30 ROCK
b. DON CHEADLE HOUSE OF LIES
c. LOUIS C.K. LOUIE
d. MATT LEBLANC EPISODES
e. JIM PARSONS THE BIG BANG THEORY
21. BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. GAME CHANGE HBO Playtone and Everyman Pictures in association with HBO Films
b. THE GIRL HBO A Wall to Wall, Warner Bros Entertainment GmbH, Moonlighting and BBC Production in association with HBO Films
c. HATFIELDS & MCCOYS HISTORY Thinkfactory Media in association with History
d. THE HOUR BBC AMERICA Kudos Film and Television/BBC America co-production
e. POLITICAL ANIMALS USA NETWORK Berlanti Productions and Laurence Mark Productions in association with Warner Horizon Television
22. BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. NICOLE KIDMAN HEMINGWAY & GELLHORN
b. JESSICA LANGE AMERICAN HORROR STORY: ASYLUM
c. SIENNA MILLER THE GIRL
d. JULIANNE MOORE GAME CHANGE
e. SIGOURNEY WEAVER POLITICAL ANIMALS
23. BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. KEVIN COSTNER HATFIELDS & MCCOYS
b. BENEDICT CUMBERBATCH SHERLOCK (MASTERPIECE)
c. WOODY HARRELSON GAME CHANGE
d. TOBY JONES THE GIRL
e. CLIVE OWEN HEMINGWAY & GELLHORN
24. BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. HAYDEN PANETTIERE NASHVILLE
b. ARCHIE PANJABI THE GOOD WIFE
c. SARAH PAULSON GAME CHANGE
d. MAGGIE SMITH DOWNTON ABBEY: SEASON 2
e. SOFIA VERGARA MODERN FAMILY
25. BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
a. MAX GREENFIELD NEW GIRL
b. ED HARRIS GAME CHANGE
c. DANNY HUSTON MAGIC CITY
d. MANDY PATINKIN HOMELAND
e. ERIC STONESTREET MODERN FAMILY
Filed under: Awards
The Globe nominations do further the mighty chances of LINCOLN if we can even perceive the Hollywood Press as having any real bearing. Tom Hooper’s Best Director snub does seem significant, but last year HUGO showed poorly at the Globes only to nab a ton of Oscar nods. Was not a big fan of SALMON FISHING, and am shocked at the nods it secured, though the performances were actually fine.
I think the snubs of Hooper and Russell in the director category have as much to do with the fact that both men are pricks and HFPA vote for the people who do the most sucking up. I’ll be surprised if both men don’t get Oscar nominations.
Had you asked me yesterday to name, I dunno, 25 movies I thought had a chance at a Best Picture (Comedy or Musical) nomination, I still wouldn’t have called SALMON FISHING IN THE YEMEN. I don’t think anybody likes SALMON FISHING IN THE YEMEN as much as the Golden Globe voters liked the movie’s press junket buffet… er, the movie.
Also, I wouldn’t rule out one of the two directors you mentioned (Hooper and Russell) being overlooked for Best Director. As far as I can see there are six major frontrunners right now in that category- Affleck, Bigelow, Hooper, Lee, Russell and Spielberg. Affleck and Spielberg appear to be locks, and Bigelow and Lee are previous Oscar winners who are making director-driven movies. For LES MIS, the draw seems to be more the material and performances than the filmmaking on display, and SILVER LININGS is a comedy, which tends to be overlooked sometimes in this category (for example, AS GOOD AS IT GETS).
If I was predicting the Best Director Oscar lineup today, I’d have to go with Affleck, Bigelow, Hooper, Lee and Spielberg, with Russell making do with picture and adapted screenplay. Unless we’re all wrong and SALMON FISHING IN THE YEMEN sweeps the Oscar as well…
I hope you’re right. At this point, I’m still preparing myself for the worst possible case scenario where at least one of them gets in. I think Russell has a better shot than Hooper.
I’d add Tarantino to your front runner category which makes Russell and Hooper even more longshot-y. In fact, my absolute best-case scenario has the Globes picks going on to get Oscar nominations. It’s too much to ask that Haneke get a nomination I’m assuming.
Things that make me mad:
-ParaNorman snubbed and Hotel Transylvania nominated instead.
-Eric Stonestreet being nominated for Modern Family. I’d replace him with either Woody Harrelson (Game Change), Nick Offerman (Parks and Recreation), Bobby Cannavale (Boardwalk Empire or Nurse Jackie)… or Ed O’Neill if we had to put in a MF actor there.
-Sofia Vergara. i prefer Julie Bowen, but I’d replace her with Cheryl Hynes (Suburgatory), Eden Sher (The Middle), kelly Macdonald (Boardwalk Empire), and there’s more….
-The Newsroom getting nominated instead of Game of Thrones or Mad Men
-Smash. I know it’s using the Musical category to its advatage. But getting nominated… seriously?
-Lena Dunham getting nominated for acting. Girls seems like a virtual lock for Best Comedy Series and Dunham might win for acting, but I’d rather not see Dunham getting the acting victory.
Things that make me happy:
-Louis CK nominated. Yeah, he’s more popular now, but it’s still good to see him nominated. Dunno if he’ll win — the Globes gave it to LeBlanc for playing himself, so CK might stand a chance — because I expect Cheadle to win since he has the “freshman” card. Wouldn’t mind to see any of the other 5 winning.
-Damian Lewis… hope he wins this time.
-Argo and Django Unchained getting love.
Also, I know SAG gave Bardem a nomination for Skyfall, but the Globes didn’t (and they could have done it with their odd choices). As extremely unlikely as this seems, I wish Bardem could get in the Supporting Actor field at the Oscars for playing Silva. Dude was a fantastic villain and easily one of the best villains I’ve seen this year (I think Hiddleston’s Loki is pretty overrated).
I heard Hotel Transyvlania was terrible. I wasn’t even going to watch it. Am I wrong? Paranorman I haven’t been able to get into. It’s well done, but it’s just not clicking with me so far. I’ll try it again soon.
I didn’t even like Skyfall all that much, but I loved Bardem. I’m actually a little surprised with his international pedigree that he didn’t get recognized. Mostly this just means Sony didn’t do lavish Skyfall Q&As with free food for HFPA.
I like Dunham a lot. I think she’s a real talent, but yeah, I’m not sure acting is her strong suit. She fits the material she’s written, but….
I gave HT a 2.5/5 score, but that might be because I saw it dubbed in Spanish, yet the scripting still . The biggest problem with HT was that it was a triple clash of “Sandler and pals film”, kid-friendly stuff and “overprotective father vs. dude who falls in love with the daughter”. Reviews are mixed, animation was fine, the 4-year-old brother loved it, but I felt kinda frustrated with it because it could have been better. Still more watchable than shit like Abraham Lincoln: Vampire Hunter, Dark Shadows or Rock of Ages.
Animation-wise, I haven’t seen Wreck-It Ralph yet, but my top two faves are Frankenweenie and ParaNorman. I’d be happy if either wins. ParaNorman got sold to me as top-tier stuff near the end of the film when Norman talks to the ghost girl IIRC.
I don’t mind Dunham as a writer, but she was pretty obnoxious to watch on Girls. I know JLD is the fave to win, but Girls is the hotter commodity, so Dunham’s chances of winning increases.